Scottish Customs: From the Cradle to the Grave

Author: Margaret Bennett
ISBN: 184158293X / 9781841582931

Why did I choose this book? I have an avid interest in the history, and folklore of the Highlands, even before moving here last year.  I am curious about the superstitions, and such like surrounding life events of the Scottish people.

What did I like? Oh, everything, but particularly the inclusion of some Gaelic and Scots in the words used by folk.

This book is mostly a compilation of interviews with Scottish folk recalling the procedures for, and celebrations of significant events in the human life cycle: birth, baptism, marriage, divorce, and death.  The author has arranged this methodically - if not strictly by region - and transcribed them in the speaker's own words, with accompanying translations if needed. 

I have to say there is a broad range of lore, custom and attitude covered in this book. What I found fascinating was how the customs changed over the years, sometimes within less than a decade, and how the culture of incomers might have effected such changes.

It is a good introduction for the lay person, such as myself, despite being a scholarly work.  I read elsewhere someone said this is not a book you read cover to cover, but delve into from time to time.  I disagree.  I read it from cover to cover, savouring every record contained within. 

What makes this book a real gem is the extensive endnotes providing the source of each interview, and further explanation of various snippets within them.  There is also a long bibliography, and "further reading" list for those who wish to learn more.  For these two things alone, I am grateful to Margaret Bennett.

Although I have a paperback copy, it was left in storage during my move [Sadly, along with most of my library for the time being.]  So, I read this on my Kindle and was able to make extensive notes for future reference, as I am sure to return to this book regularly.

I was happy to find no typographical errors in the Kindle edition, which sometimes seems to happen these days.

What didn't I like? Is it really a complaint that there were too many books in the further reading section that I now want to read?

Would I recommend it? Yes.  I would highly recommend it.

Rating: 5/5.

Trance Portation: Learning to Navigate the Inner World

By: Diana L. Paxson
ISBN: 9781578634057


What I like:  The book is very well organised and the information is solid.  The book is designed to be read over a period of months, as each chapter's exercise is undertaken and understood before moving on to the next.   The text contains an appendix aimed at teachers who are taking students through the process of trance.  As such, this book is suitable for teaching groups though the author suggests it is suitable for solitary students.

What I dislike:  the style of delivery rather dry and uninspiring; I had to push myself to read the book, as it was part of a book club group read. I am not a newcomer to trance, and perhaps this made it more difficult for me to engage with the information provided.

There appears to be a serious flaw with the book: the author assumes every reader is capable of adapting each exercise to their own tradition, but this is not always the case. For instance, if the reader is also new to particular path, faith or tradition they will have no understanding of the landscape traversed by followers, or the deities, entities, etc. and, as such, will not know how to adapt the exercises therein. Although Paxson does provide some examples, these are not comprehensive and this could leave a newcomer rather at a loss.

Would I recommend it to others:  As it is aimed more at the newcomer, I would hesitate to recommend it to anyone for the reasons stated above; however, I would think it suitable for students to work through with their teachers.

Rating:  3½/5.

Land of the Seal People

 

Author: Duncan Williamson
ISBN: 1841588806/9781841588803

I read "The Land of the Seal People" having just finished David Thomson's excellent "The People Of The Sea: Celtic Legends And Myths: Celtic Tales of the Seal-folk". I was hoping it would match it for warmth and wonder, but I was to be slightly disappointed. Although each tale comes with a paragraph explaining where it was heard and a description of the teller is included, names not always included for obvious reasons, the atmosphere in which the tales were told is missing and the attachment gained from learning more about the teller is lost. To that end, I could not warm to these tales as much as I could to those told by Thomson.

"The Land of the Seal People" doesn't just focus on the selkie, but includes encounters with others of the supernatural kind and, as much as I enjoy these, I was a little disappointed as I was hoping to learn more about the seal people and/or selkies. I was also put off by the overuse of the character name Jack, which featured heavily about 3/4 of the way through the book. It seemed to me that in every tale, Jack has lost his father young and was left an only child supporting his mother. True, each of Jack's adventures was different, but I started to become disinterested the moment I saw the name Jack.

Because I did not get the same feeling reading "The Land of the Seal People" as I did "The People Of The Sea: Celtic Legends And Myths: Celtic Tales of the Seal-folk", I doubt I will be re-reading it and I am unsure as to whether I should read Duncan Williamson's other books on a similar topic. I did enjoy reading both books and seeing the connection to the film "The Secret Of Roan Inish" though I did learn that the book on which the movie is based was originally set in Scotland. Overall, I enjoyed the book but I think it might have endeared itself to me more had I read it first, and then Thomson's book.  

Rating: 3½/5.

Review: The Secret of Roan Inish

Just before, during and since my trip to Scotland the Selkie myth has been brought to my attention on several occasions. There was a book, mention of them by various people and while searching for a film to watch, having viewed "Ondine", I stumbled across "The Secret of Roan Inish" on Amazon.

I perused the description of the movie at Amazon, a single line that offered little in the way of what to expect. One Australian reviewer, Brian Barratt, revealed the whole movie without offering a spoiler alert, though he did proffer further information on the myths and legends associated with selkies and seals. Despite knowing the complete storyline, I ordered the DVD; it was going cheap.

Arriving home from work in the early hours of the morning, with nothing on the box, I began to watch the movie. I must say the beginning was a little confusing, but I soon caught on. The movie isn't fast paced and is probably aimed at children, nonetheless I enjoyed it. Even though I knew "the secret", I was still entranced by the tale and found myself becoming anxious as to how the story would resolve; I was glued to the screen.

The story centres on a girl called Fiona, who is sent to her grandparents' house in Donnegal to escape the city in which her father now lives. The proximity of her grandparents' house to the island of her family's origin, Roan Inish, causes the girl to ponder the fate of her infant brother, Jimmy, now mourned by his family. With the help of her sympathetic cousin, Eamon and some more distant, dark relatives, Fiona uncovers the truth about her island origins; and the truth is stranger than myth.

A fantastical, magical tale which slowly unwinds.

I recommend this DVD/film to anyone interested in selkies and celtic tales of wonder.

Rating: 4/5.

Britain BC

Author: Francis Pryor
ISBN: 9780007126934

It has actually taken me two years to read this book. I started it in July 2008, and I remember finding it hard to comprehend. It seemed all over the place and I had difficulties with the way Pryor went into long, confusing descriptions of various archaeological dig sites. I felt extremely stupid as I just could not visualise that which he attempted to illustrate with words in detail. I became frustrated and, instead, found other books to distract.

This year I have made a concerted effort to finish those books I struggled with in the past. I picked up Britain BC again, but instead of returning to the beginning, I continued from where I had left off in order to distance myself from the earlier frustrations. It worked! I was able to read this book somewhat more comfortably and actually absorb most of the information.

The detailed and wordy descriptions of various artefacts and archaeological digs sites still left me reeling, but pictures and illustrations are provided (more frequently in the second half of the book) which help to clearly demonstrate what Pryor is tries to describe in words. In some cases, I still skipped the details in favour of understanding how the site/artefact furthered the understanding of a particular time, people, community or way of working.

Britain BC did provide me with insight in the world of archaeology; its progress over the years; and an idea of how archaeologists work today both in terms of learning about our past and in preserving it for the future. I marvelled at the amount of speculation involved in seeking to put finds into context, giving the impression that the purpose of a site or artefact can never be certain where archaeologists are involved. This was quite a lesson for me. I found it disconcerting that as Pryor dismantled the ideas of others, he sought to replace them with his own imaginings, a few of which I thought less credible than those he had just rejected. Still, what do I know?

I was taken by the idea that, immediately prior to the arrival of the Romans, British society was not necessarily a cohesive whole but rather made up of small community groups, some of which had banded together to form larger societies. Pryor also speculates that some of these communities did not have a formal structure, but were loosely banded together, and there may not have been an elite class as previously thought or imagined by rich burial sites.

Prior to reading Britain BC, I was unaware the Iron Age extended into the early part of first millennia CE with crannogs and brochs being in use in 600 CE, but only in those areas where the Romans had not tread. Although I have gained some insight into what is known about the various “ages” of prehistory, I might have assimilated more if the author had refrained from flitting between archaeological dig sites, with a quick tangent into the future of one or another site "... but we will explore that further later in another chapter" (to paraphrase) and back again. As a reader, I felt disconnected from the finds or how they corroborated what was known about the people and/or communities of the age and how they lived in the landscape. I was lost quite a bit of the time; I needed lots of breaks from reading this book in order to take my bearings. I know the author is enthusiastic - I can read it in his text - but I think more careful editing might have made the evidential information more accessible.

Overall, the book did provide me with a basic knowledge of prehistory in Britain and it's all in one place instead of the myriad of bits and bobs floating around in my head from reading news updates from various archaeological websites. I have definitely learned more than I ever did at school about the subject. It's just Britain BC is not a book I would, or even could, use as a reference to with which to check my understanding.

I am not sure what is says about the book when the first thing I can say about it is: "I now know the difference between pre-history, proto-history and history".

Rating: 4/5.

Defences Against the Witches' Craft

Title: Defences Against the Witches' Craft: Anti-cursing Charms from English Folk Magick, Traditional Witchcraft and the Grimoire Traditions
Author: John Canard
ISBN: 9781905297184

No preaching, just practical ways of preventing and combatting curses and hexes. I only had one small quibble on a historical matter, but other than that a superb book that every witch should own.

Defences Against the Witches' Craft is a slim book packed full of useful information on charms, amulets and other ways of dealing with malefic magical forces; taken from history, but still used in modern times.  The author, John Canard, provides methods of preventing and combatting curses and hexes using a wide variety of English practices including herbs, poppets, special stones and other traditional tools.  The source of information is provided in all cases, most of which is very much rooted in England, but is supplemented by similar practices from other cultures, and a small bibliography is provided for the reader who wishes to explore further the historical uses of the various items mentioned in the book.  For the most part, it is assumed the reader has a working knowledge of magic, with step-by-step instructions provided only for a few methods.

The book is well written, in a friendly manner, and refrains from preaching on ethical matters.  I recommend this book and I am considering it as a birthday present for more than just one of my witchy friends.

Rating: 4½/5.

The Druids

I stumbled across a review of the Stuart Piggot book, entitled "The Druids", which consisted of seven words, ending with "very little information."  The reviewer gave the book one star and I had to wonder if they had missed the point of the book.  

I have not finished it (as yet), but the author starts by saying what evidence there is in regard to this particular caste of early European society is fragmentary and scarce.  From what I can understand, most of what is known by the general populace is based on supposition and romantic notions fostered in the seventeenth and eighteenth century. Archaeology reveals very little, and the Greek and Roman writers might have engaged in a bit of spin-doctoring, stirring up fear by over-stating the barbaric nature of a society which they intended to invade, and overpower, so that they were no longer a threat to their idea of a civilised society.   [Sound familiar?]  It is often asserted that not all of the classical writers might have had direct contact with the druids, but are merely quoting or paraphrasing earlier writers.  Though all this, too, is supposition, as there really is very little information on the societies in which druids thrived. 

It struck me, reading the review of "The Druids", that although I am vastly ignorant, I am not completely so.  At least I am aware of the fact that little is known about the druids, and I don't require authors to "pad out" information in order to satisfy my thirst for knowledge.  Hope for me yet?

The Ancestry

I was listening to the Midsummer edition of The Celtic Myth Podshow and was taken aback by a track called "Midsummer" by Jillian LaDage. It transported me away to another time and place and I instantly loved it. I was so taken by it that I immediately downloaded it on iTunes, in the hope the other tracks were just as brilliant, before I realised I could preview the song as the website of Tarith Cote.

Even so, I wasn't disappointed. The album is described as "a journey that leads from the medieval sands of Turkey and the Byzantine Empire to the moors and legends of the ancient Celts". Its certainly a mixture of sounds, and haunting ones at that, but remains cohesive throughout combining sumptious music with storytelling songs in a sensual voice.

I wish I could elucidate on how this album made me feel. Its very much how I responded to Sa Dingding's "Alive" album, and like that album, I have been playing these tracks non-stop since I downloaded them. Please go and try the samples of Jillian LaDage's album at the Tarith Cote website and let yourself be whisked off to lands of wonder.

Rating: 4.5/5

The Art of Conversation with the Genius Loci

Author: Barry Patterson
ISBN: 1861631693

I don't know why it took me so long to finish this book. I do know that my bookmark kept falling out, which meant I often re-read whole sections with a very deep sense of déjà vu, which was frustrating.
I liked this book - a lot. Its a great introduction to connecting with the world around us on a more profound level. The author includes several exercises, in the form of guided meditations, and these should be helpful to anyone starting out in magic or broader pagan practices. The author states he is buddhist, and although I did not agree with a small number of his views, overall I liked (and understood) his reasoning for behind the ideals he put forward; agreeing with him far more often than not.

The content of the book clearly demonstrates that Mr Patterson practices that about which he writes. He often includes personal anecdotes to illustrate a point. This is not someone trying to set themself up as a master (and he states this himself), but rather provide clear guidelines for those just starting out. In fact, this book excels in that regard and, in future, I will not hesitate to put in on recommended reading lists for those new to the pagan or witchcraft worlds.

Mr Patterson writes so that his ideas are easily absorbed and he also provides an extensive set of appendices including list of various organisations and a bibliography for further information. He has also taken the time to incorporate some of his prose and poetry, which is helpful in understanding the concepts discussed.

I have to say it is one the most sensible books I’ve read about outdoor practices in a very long time. He speaks of not taking anything from sites but memories and what constitutes a suitable offering (as opposed to crystals blasted from mines, etc.). In my opinon, Barry Patterson is a breath of fresh air in the beginner’s guides.

It was a unique read for me in that some of the places explored are quite near to my own place of residence and it was interesting to hear the insights of another who had visited those areas. Having an experience of the same locations made for interesting connections whilst reading the book. I was able to put myself in the author's shoes on occasion and this was somehow comforting.

I have to admit my favourite chapter was the first where we learn of his experiences on a solo trip in the Outer Hebrides. Having visited the area, I immediately understood the nature of his experience. Even so, the rest of the book is a joy, and a must to read. I certainly learned a few things, and there are a few people out there I believe need to read this book and should read this book.

The book loses a tenth of a point in ratings solely because of the extra blank pages disrupting some of the chapters. A fault with the publishers I feel.

Rating: 4.9/5

Barry Patterson does have his own website at: Red Sandstone Hill if you wish to learn more about the man behind the book.