The Lollipop Shoes

 

Author: Joanne Harris
Narrator: Juliet Stevenson
ISBN: 9781405683678

Why did I read it? It was available in audio, and I adored Chocolat by the same author, Joanne Harris, a dose of magical realism, romance and embracing life. 

What's it about? Vianne has escaped to anonymity of the city of Paris with her two daughters, Anouk and Rosette, and is seeking a normal, ordinary life. She's taken on her mother's name Yan, she has stopped creating her own confections with the result her shop is failing, and her landlord is in pursuit of her when the glamorous, exciting Zozie de l'Alba enters their lives with the winds of change flirting around her. Annie (Anouk) instantly likes and admires Zozie for her pride in being unique, different, and as both Yan and Annie come to rely on Zosie, the wind, their pasts and (long held) secrets continue their relentless pursuit. 

What did I like? First, the narration by Juliet Stevenson. It is clear she was a great actress, and when voicing the male characters, I actually thought a male actor had been employed. Ms Steveson's performance of this story was superb and I will actively seek out other books she has chosen to narrate. The story is told through three characters: Vianne, Anouk and Zozie. Ms Steveson made it easy for me to determine to whom a particular chapter related in just the first few words; her characterisation of each individual voice so skillfully personified. I just cannot praise, or thank Juliet Stevenson enough for narrating The Lollipop Shoes, in unabridged format at that. 

I adored the inclusion of folk and fairy tales throughout the story. Each was a morality tale, as was the whole book (see below for more on this aspect), and each raised the suspicions of this reader. As an adult, I still have my childhood compendium of fairytales and I read them in times when I need to feel comforted, so to find an adult book along the same lines is refreshing. These folk and fairy tales are the clues to the secrets in this book, so pay attention.  

The Lollipop Shoes is darker than Chocolat, more like those old-fashioned Grimm fairy tales (before sanitisation) highlighting the gruesome fate that awaits the unwary child who ignores their parent's warnings, and which have a hard lesson to impart wrapped up in a cloak of alluring magic. The magic in this story was much more overt and fairytale-like than the subtle magical realism employed in the first book. I probably enjoyed this because of my penchant for those tales I read as a child, though I can see where it might not be to everyone's liking who enjoyed the more subtle, more believable (?) magic in Chocolat. 

The Lollipop Shoes is more of a mystery book, with a dire sense of danger to it, rather than the quaint tale of the battle between different outlooks, beliefs and morals of the earlier book, though these do play a significant part in the story. 

The characterisation of the three narrating voices - Vianne, Anouk and Zozi - had depth, and the tension between them was palpable. Shining light on a situation/scene from the point of view of different characters enhanced the feeling of something not being right. In fact, the tension and danger was palpable because of the insights into the thought processes of three, rather than the usual one, or two characters. As the ending approached, the tension tightened and I found myself on edge, and having to listen all through the night and into morning until the climax; I could not stop listening so desperate was I to learn the fates of these three, desperate women.  

The Lollipop Shoes is also a coming-of-age tale and explores themes of finding one's place in the world-at-large, bullying, the growing pains experienced by parents and children as time passes, and the tension this causes between the two. There is also a window on how a parent might balance protecting their children against preparing them for adulthood, and the unique challenges encountered with children that are outside (what society might consider) the norm. 

Finally, the food; so enticing; so delicious. Joanne Harris knows how to awaken the senses with her descriptions, and I could smell, see and almost touch every culinary creation within the book. With Juliet Stevenson delivering the lines with such sumptuousness, the kind that raises real cravings within me, without resorting to that overt food porn voice employed by those Marks and Spencer's commercials that are meant to entice the whole of the UK, I am ever so grateful that I didn't have a scrap of chocolate in the house when reading this book, or unhealthy food of any type, as temptation was invoked with every word.  

What didn't I like? One aspect of morality explored in the book was particularly distasteful: the ethics explored in the employment of magic. It felt like the ongoing animosity between (non-initiate, non-lineaged) Wicca and other magicians/witches. The so-called laws of magic frequently voiced by the former were applied to Vianne in this book and it truly began to grate, almost to the point of shredding my last nerve, especially when it alluded to the neopagan point of view being the "good", in opposition with the traditional outlook being the "evil", despite Vianne following the old ways in the book.   Even the resolution, when it came, left a bitter taste in my mouth, and not a pleasant one like that provided by chocolate.    This was more than a disappointment. 

Yan (Vianne) was very whiny in this book and the repetitive nature of her complaints did begin to wear, though I know this is often how those of that state of mind behave, not realising they are sounding like a broken record. In a similar vein, I am not sure if Joanne Harris believes her readers to be a little dim, or possessing poor memories, but there was quite a bit of repetition in the book and not just because the same scenes were being voiced by different characters. There was more than one instance when I thought: "Aren't these the exact words she used before and the same story? Has my iPod backtracked without me knowing?" 

There was an issue with the audio version in that the volume was a little too low and, though perfectly appropriate for this style of story, it meant I had to turn up the volume on my player and this led to some unusual background noises: static; someone receiving an email on Outlook (we all know that pinging sound, don't we?); and some other, not quite discernible, but nevertheless potentially distracting sounds.  

Would I recommend it? Yes, oh yes. I shall definitely be listening again. It's a strong story that draws you in and you listen in wonder, all the while hoping that when the battle comes, your chosen heroine will be triumphant and the villain punished. Just remember, real life is more a Grimm fairytale, than Disney-like "dreams come true" tale.  

Rating: 4/5.

The Moon of Gomrath - Review

Author: Alan Garner
ISBN: 9626344709/9789626344705

Why did I choose this book? Because I had listened to The Weirdstone of Brisingamen and enjoyed it very much.

What did I like? The pace of the adventure was faster than The Weirdstone of Brisingamen and the same characters gained some depth.

I loved the weaving of celtic and local myth, and folklore into the storyline as well as the concept of old and new magic. I appreciated the way Alan Garner chose to describe occurrences and, more importantly, feelings ascribed to the afterlife or in-between; it was almost beautiful.

What didn't I like? Unfortunately, I was not as enthralled as I was with The Weirdstone of Brisingamen, and I found myself losing attention despite the wonderful narration of Mr Madoc. At certain points, I lost the any concept what was happening and I feel I may need a second listen, when not driving, to better appreciate this sequel.

I never heard an explanation as to how the Morrigan returned. As others have said, it felt more contrived with certain events seeming to happen at precisely the right moment purely to set-off another, and to provide the story with momentum.

So, despite the increase in pace, the further exploration of characters, and the fusion of folklore, myth, and landscape The Moon of Gomrath fell short of the standard set by The Weirdstone of Brisingamen.

Would I recommend it? Yes, but only because it is the sequel to a fine book.

Rating: 2½/5.

The Pagan Anthology of Short Fiction

Editors: PanGaia magazine and Llewellyn publishing
ISBN: 0738712698/9780738712697

What's it about? It's a selection of short stories from pagan authors as collected by a panel of judges for PanGaia magazine.

What did I like about it? There was variety so if you didn't like the style of one author, at least you could look forward to the next, in addition to which no one piece was overly long or short.

My favourite stories were A Valkyrie Among Jews by April, which incidentally was the winning story according to the Introduction to the book, and Black Doe by Vylar Kaftan.

A Valkyrie Among Jews examines pagan identity and the conflict that sometimes arises between the birth religion and paganism of converts. In this instance, the pagan convert is a woman working in a Jewish retirement centre where she is surrounded by the religion of her upbringing. Black Doe was a very well written story about a woman who is shunned by her tribe at her own request in order to feel free, but has to turn to the gods for help. According to the author, the story was written in response to challenge to write about "survivor's guilt about food poisoning and someone getting a haircut" (page 209) and the author certainly delivers. It's also the last story, so was a real treat.

I would be interested to read more work from either of these authors, which I suppose is the purpose of anthology: to bring new authors to the attention of readers.

What didn't I like? All but two of the stories in the anthology.

I'm afraid most of the pieces held no interest for me, and I continued reading only so I could discuss them with fellow readers in the book club. I found myself half a page in on one story, and already hoping the next work was better.

Every story involved the supernatural or fantasy in some way, i.e. there was no real, modern world stories which I think has been mentioned by another reviewer, Eli, here. I kept hoping I'd find a piece that wasn't overtly pagan, fantasy or magical but it never arrived. I've read pieces by pagan authors which have not fantasy, science fiction, magical or pagan elements but are just very good stories. One, in particular springs to mind; it's about a girl working behind a bakery counter as life passed by. There is nothing in the storyline that would label it as pagan; it addresses ordinary concerns from a pagan point of view, i.e. the author. I guess, though, this is not the anthology to find such a narrative.

I do enjoy reading books with magic, the supernatural, myth and manifest deity, but I would dearly love to see writing from pagan authors which veers from the expected genres and, in this regard, I think this collection missed an opportunity.

Would I recommend it? I would recommend the two stories I mentioned above, just not the whole book.

Rating: 2½/5.

Shadowmagic

Author:  John Lenahan
ISBN:  1905548893 / 978-1905548897


Shadowmagic is great audio book, narrated wonderfully by the author. This is a fast-paced story about a teenage boy whose life is turned upside down upon the sudden arrival of relatives of whom he knew nothing and who are determined to see him dead.

The main character is Connor, raised by a one-handed father, Oisin, who speaks to him in ancient languages and teaches him to use a sword. Connor is transported to the land of Tir Na Og, a place inhabited by Imps, Ban Sidhe, Leprechauns and Pookas and where the trees hug back.

Sure Connor's sense of humour is not to everyone's taste, but it keeps his spirits up when all manner of misfortune befalls him. There isn't much in the way of character introductions and background is rarely provided, but it's not necessary because their actions speak for themselves. At times, some of the voices used for different characters were slightly, ever so slightly off-putting but I kind of had the feeling it was more how Connor interpreted, or might have mimicked them himself.

The story runs at a fair pace and you hardly have time to breathe, which is how Connor himself must feel. The author has deftly told a story without any of surplus that often gets in the way of a good tale. This type of adventure is probably aimed at tweenage boys, but as a woman of a certain age I truly enjoyed listening to the podcast version on my commute to and from work for the week, only just resisting listening to it between times.

I recommend the audio version of Shadowmagic to anyone that has to face boring tasks, as you will lose yourself in the land of Tir Na Og with Connor, his family and friends in no time; that it the skill of John Lenahan's storytelling, and narration.

Rating: 4/5

The Mark of a Druid

Rhonda R. Carpenter has managed to pack a lot into "The Mark of a Druid".  It features England, Ireland, the United States, the past, the present, druids, christians, sovereignty, shapeshifting, prophecy, reincarnation, past life regression, hypnosis, murder and drama.

I listened to the book in audio format via the free subscription at iTunes.  The story seems slow to start and jumped quite a bit, from past to present, and between characters but, eventually, I was hooked.  Towards the end, as all the elements started to come together, the pace quickened, but the author was careful to keep you waiting for the ending you knew just had to be.

One quibble I had with the podcast format was the Rhonda R. Carpenter's reading style.  Strange punctuational pauses were distracting as was the apparently inappropriate changes in pitch giving emphasis were it was not warranted.  After a while, I noticed it less and less, with only the occasional inner query arising.   Still, it was worthwhile listening to the audio version on my commute to and from work.

I will purchase a hard copy of "The Mark of a Druid", eventually, to re-read at my leisure. I would imagine it would be a great book to take on holiday as the story is broken down into small segments, as it alternates between the past and present, thus allowing the reader to pick it up and put it down at will.

Rating:  4/5.

Magician's Law: Tales of the Bard

Author: Michael Scott
ISBN: 0722177755 / 9780722177754

I started reading this book on the flight to Australia a few months ago, and finally finished it last weekend, having read it piecemeal.

The book tells the tale of Paedur, who has risen to the status of legend, through the ages and his work to restore the "Old Faith" against an incomer which has grown in size rapidly. Mannam, the Lord of the Dead, assigns Paedur the task of keeping the Old Faith alive through his work as a bard, telling the myths and expanding the knowledge of the old gods. As they are want to do, the gods assign Paedur a further task ... a dangerous undertaking.

The author borrows from the myths of a few cultures, though the Irish seems most apparent, and creates his own world, peoples, cultures, myths, legends and religions. On reading the pantheon at the front of the book, the reader might feel overwhelmed, but as the tales unfold the names slip easily into place.

The book was written such that, although I picked it up and put it down often, the characters and the tale stuck in my mind. The action builds relatively quickly and there are several peaks, arriving at the last sequence with relative ease. You can feel yourself drift into the action and these other worlds. There was only one small quibble and that was my imagination was stifled (a smidge) by some overly descriptive passages, especially in the last few sequences, when it made the story feel a little stilted instead of racing (on a smooth track) to the end. I suspect, however, this won't bother most readers.

I hope to read the sequels, "Demon's Law" and "Death's Law" before the end of the year, that is if I can obtain them through one of the book swapping sites.

Rating: 4/5.

Odd and the Frost Giants

Author: Neil Gaiman
ISBN: 9780747595380

I found this book at Tescos being sold for £1. I was intrigued, given I liked the storyline of "Stardust", the movie, and I knew Mr Gaiman had a hand in that. As it turns out, this book had been printed for World Book Day 2008. What a shame, I didn't have my token with me.

I got home and, whilst waiting for a particular television programme to appear, I read it. It only took 45 minutes, but it was a pleasurable 45 minutes. The book is aimed at children, I'm sure, but I still enjoyed it.

The story centres around Odd, a viking boy living with his Scottish mother and Fat Elfred, his rather short-tempered stepfather. Odd is a fitting name for this boy, as most think him strange and his story, as told in the book is wyrd, too.

Do read this to your children as a bedtime story; it will give them insight into how a boy can defeat those bigger and stronger than himself. Its also a nice little introduction to the gods of the Norse myths.

Cliff Dreamers

Author: Jacqui Wood

This is a self-published book, available from Lulu by Jacqui Wood. I believe this is Jacqui's first fiction offering, having already written "Prehistoric Cooking". Jacqui Wood is an archaeologist, so it is not surprising to find the book set in a historical Europe.

I do have a few quibbles with the self-publishing aspect of this book, which I will get out of the way first. It is quite obvious that there was a lack of general editing as spelling errors can be found on nearly every other page; grammar is appalling and the tense can change several times within the same paragraph; and the narration also jumps from first to third and, most alarmingly in one paragraph to second, where the reader is addressed by the main character. I would dearly love to see a publishing hosue pick up this book just to sort out these technical quibbles. So, that's the critical part of this review over.

I had a wonderful time with this book. Not only was I drawn in by the turbulent life of its main character, Mia, but I learned quite a bit about Europe 6,000 years ago as the author effortlessly wove her knowledge of the period into the book. The story centres around an eleven year old girl, Mia, who lives on an island between Scanland (Norway) and Britland (Britain) which is fast disappearing into the sea.

Cliff Dreamers starts with Mia being chosen by the island's Shaman to be his priestess, an honour for most girls on Dogga Island, but not for Mia, who views this role as nothing more than slavery. Mia sits on her sand cliffs and wistfully watches the traders come in the their log boats and wishes she could travel far and wide with them. This soon becomes a reality when a fellow islander, Borg, discovers the Shaman's plans for Mia, who is not yet "of age".

Cliff Dreamers takes us along with Mia on her first ventures away from Dogger Island, and the various tribes she encounters with Kemit (the captain of the log boat in which she escapes), his crew and Borg. As the book progresses, we go back and forth from Mia's life on Dogger Island to her life at sea, trying to escape those who pursue her for her unusual magical powers.

The author is gifted when it comes to describing the various tribal settlements of neolithic times and I couldn't help but be drawn into Mia's world. I will be purchasing the sequel, Journey Through the Inland Sea, as soon as my finances allow. I will also be hoping that a publisher will pick up these books. I suspect the books will have a broad appeal because of the folding of history, archaeology, fantasy, magic and a thriller into one book makes them unique reading.

Rating: 4/5 (downgraded because of editing problems)