Gamers and interested parties are being asked by Scotland’s national
museum to utilise their technical skills to piece together over 3,000 fragments depicting the Cross on a
Pictish slab.
The the first of its kind in the archaeological
world, project sees participants using a 3D programme developed by a
Scottish technology firm to try to solve the mystery of the Hilton of
Cadboll Stone. Experts believe people who play computer
games are more adept at manipulating objects on screen.
The stone, which
stood on a chapel site in Tain in Easter Ross was carved around 800AD,
after the Picts converted to Christianity, in order to celebrate their
new religion. Over time the stone endured a number of accidents, until it was knocked over and broken, and the
bottom portion was lost. It is also believed to have been vandalised
more than once during the time of the Reformation in the 16th century.
Excavations of the chapel site
uncovered the upright base in the ground and more than 3,000 scattered
fragments of the face of a cross.
The hope is that gamers, and interested parties will be able to piece together the jigsaw to give experts a
chance to interpret and decipher the stone’s elaborate symbols and
carvings.
Maxwell said: “We need techy-savvy people
who have the mindset and understanding of how to work with 3D objects
which are a form of virtual reality in space. It’s that puzzle-solving
mind we need.”
She said there had been one previous attempt to
piece all the fragments together but that it soon became obvious that
such a task needed manpower and specialist skills – now possible due to
new computer technology.
You can read more of the article at The Scotsman, and take part in solving the puzzle.
If you want to participate in finding the solution, you can do so at the Pictish Puzzle website.
An eclectic mix of book and music reviews, ramblings and other flotsam and jetsom encountered on an expedition to find a place in the pre-Christian religious traditions, and practices of the British Isles.
23 November 2013
24 October 2013
Why the long silences?
Sorry folks, but a lot of my time these days is taken up either studying Gàidhlig (Scottish Gaelic), catching up on long overdue reading on topics of interest to my faith, or dealing with normal life issues.
I may get back to writing a few reviews, or updating here from time to time during vacation times, but it will be quiet for a while longer, I'm sure. I'm reluctant, however, to let the page go and prefer to wait to see how things develop.
Be well.
I may get back to writing a few reviews, or updating here from time to time during vacation times, but it will be quiet for a while longer, I'm sure. I'm reluctant, however, to let the page go and prefer to wait to see how things develop.
Be well.
27 September 2013
BookLikes, Goodreads, and Social Network Censorship
I have decided to remove the Goodreads
widget from the right hand column of this blog, because I am going to delete my
Goodreads account, and move all my
books, reviews, and data to BookLikes,
a rival book/networking site.
The move will mean a lot of extra work, adding covers, adding data on self-published books and books not found on conventional book seller sites, etc., but it will be worth it to be able to freely express my opinions of books to friends, and shelve/tag my books as I see fit without interference (read: censorship) from the website owners. I have been a member of Goodreads for many years, with over 900 books listed, (virtually) met lots of fellow pagan readers, and was a librarian: editing covers; inserting book summaries; inviting fellow authors I admired to join groups and enter into discussions about their work; and adding books from obscure publishers, many of which were pagan and/or occult related, to the ever-expanding database. I am not the only librarian to leave under protest and, this appears to have resulted in a slower response time to requests from members of Goodreads to make amendments to books, as many super-librarians - those who have made thousands of edits or more to the Goodreads database - depart.
Normally, I detach myself from spats between authors, readers, fans, and member but when Goodreads decided to edit its policy on reviews and how their membership named bookshelves without informing their membership of the same, and then began deleting personalised shelves without rhyme, reason or informing infringing members first (to provide them with time to amend or save the content), I felt it was time I moved on – being a believer in self-censorship, but little beyond that.
I was taken aback when I learned one member’s shelf, innocuously titled "Tain", relating to Táin Bó Cúailnge was deleted without warning. Perhaps Goodreads staff felt they were able to read the mind of the member, and came to the conclusion that the name "Tain" was a comment on the behaviour of the authors – as this is the only reason for deleting shelves according to the scant comments from Goodreads staff on the unannounced policy change?[1] Where is the logic in deleting a shelf entitled “bad authors” but leaving another shelf, belonging to the very same member account, called “cool authors”?
It all seems hypocritical: instigating a policy supposedly to end the targeting of authors, only to bully their own members by saying that staff know what a member is really thinking when naming a shelf “authors I want to avoid”, i.e. it’s a comment on the author’s behaviour.[2]
Oddly, the policy change, censoring of book shelf titles, ensuing furore, and mass exodus of members occurred during Banned Book Week.
For now, it seems BookLikes are keen to hear the suggestions of their new members, and have promised to provide lots of new goodies including a private messaging system, and groups function for socialising, and will be developing apps for those of us who read on the go, but like to update our progress.
I’m pretty hopeful my celtic myth shelves will be at BookLikes for a long time to come.
The move will mean a lot of extra work, adding covers, adding data on self-published books and books not found on conventional book seller sites, etc., but it will be worth it to be able to freely express my opinions of books to friends, and shelve/tag my books as I see fit without interference (read: censorship) from the website owners. I have been a member of Goodreads for many years, with over 900 books listed, (virtually) met lots of fellow pagan readers, and was a librarian: editing covers; inserting book summaries; inviting fellow authors I admired to join groups and enter into discussions about their work; and adding books from obscure publishers, many of which were pagan and/or occult related, to the ever-expanding database. I am not the only librarian to leave under protest and, this appears to have resulted in a slower response time to requests from members of Goodreads to make amendments to books, as many super-librarians - those who have made thousands of edits or more to the Goodreads database - depart.
Normally, I detach myself from spats between authors, readers, fans, and member but when Goodreads decided to edit its policy on reviews and how their membership named bookshelves without informing their membership of the same, and then began deleting personalised shelves without rhyme, reason or informing infringing members first (to provide them with time to amend or save the content), I felt it was time I moved on – being a believer in self-censorship, but little beyond that.
I was taken aback when I learned one member’s shelf, innocuously titled "Tain", relating to Táin Bó Cúailnge was deleted without warning. Perhaps Goodreads staff felt they were able to read the mind of the member, and came to the conclusion that the name "Tain" was a comment on the behaviour of the authors – as this is the only reason for deleting shelves according to the scant comments from Goodreads staff on the unannounced policy change?[1] Where is the logic in deleting a shelf entitled “bad authors” but leaving another shelf, belonging to the very same member account, called “cool authors”?
It all seems hypocritical: instigating a policy supposedly to end the targeting of authors, only to bully their own members by saying that staff know what a member is really thinking when naming a shelf “authors I want to avoid”, i.e. it’s a comment on the author’s behaviour.[2]
Oddly, the policy change, censoring of book shelf titles, ensuing furore, and mass exodus of members occurred during Banned Book Week.
For now, it seems BookLikes are keen to hear the suggestions of their new members, and have promised to provide lots of new goodies including a private messaging system, and groups function for socialising, and will be developing apps for those of us who read on the go, but like to update our progress.
I’m pretty hopeful my celtic myth shelves will be at BookLikes for a long time to come.
15 August 2013
A Repost
I kind of felt the need to reblog one of my own posts from 2011: "9th Century Irish Myth and the Internet". It came to mind after witness several (non-)discussions on internet groups.
I read this and thought it needed reblogging, because it is an inspired connection between the Irish myth and the internet of today.
From Mo Thearmann:
~¦~
I read this and thought it needed reblogging, because it is an inspired connection between the Irish myth and the internet of today.
From Mo Thearmann:
This always comes to mind when I see people acting like idiots online. It's from Tecosca Cormaic (The Instructions of King Cormac).
"O Cormac, grandson of Conn", said Carbery, "What is the worst pleading and arguing?"
"Not hard to tell", said Cormac.
"Contending against knowledge,
contending without proofs
taking refuge in bad language
a stiff delivery,
a muttering speech
hair-splitting
uncertain proofs,
despising books
turning against custom
shifting one's pleading
inciting the mob
blowing one's own trumpet
shouting at the top of one's voice."
12 August 2013
Kilmartin Captured
discoverthetrip:
Kilmartin Glen is an area situated at about 25 miles south of Oban in Argyll, surrounding the village of Kilmartin and contains one of Scotland’s most significant concentrations of Neolithic and Bronze remains.
10 August 2013
Corp Criadhach
Unfettered Wood has done a blog post on the Corp Criadhach, the doll, or poppet in Scottish witchcraft.
06 May 2013
People who had the evil eye were regarded as witches | Tobar an Dualchais
You can listen to an excerpt of a recording of Anne Ross speaking to a gentleman about the "Evil Eye" in Scotland here.
Subscribe to:
Posts (Atom)