An eclectic mix of book and music reviews, ramblings and other flotsam and jetsom encountered on an expedition to find a place in the pre-Christian religious traditions, and practices of the British Isles.
12 May 2010
Submissions Sought: Pagan Poetry Pages Summer 2010 Edition
The Pagan Poetry Pages are now accepting submissions for their Summer Edition. All writers of poetry and prose are invited to submit their work, either by posting on the fora at the Pagan Poetry Pages website, or by emailing the editor at editors(at)paganpoetrypages(dot)com.
Writers do not have to be pagan, but if the piece is pagan themed, or related to paganism in some way, please consider submitting your work for publication to the Summer edition of the Pagan Poetry Pages.
24 April 2010
Old v. New
Has anyone else noticed that older books on witchcraft focussed on hexing and cursing, but for the modern witch looking at books, these are rarely discussed and certainly instruction is absent?
Yet, the ability to curse, hex or work magic to the detriment of others (steal their milk, crops, lover) using foul ingredients seems to have been mainstay of the historical witch. Even love spells of old involved the use of semen, blood and urine and not always with the consent of the intended paramour. When I hear of a modern witch collecting afterbirth, hen's feet, graveyard dirt, snake skin and poisonous substances, I doubt the knowledge to know how to work with these items comes from modern books.
Nowadays, the focus of today's witchy authors seems to be on healing the self, raising protection or attracting good fortune and love, but the ingredients are now more likely to be a pretty crystal, nice incense, or an unbroken mirror (no blood, sweat, tears or toenails for the modern witch). Historically, finding lost items, reversing bad luck, providing protection were once the preserve of the cunning folk, who worked against witches, but no-one ever seems to take up that title anymore and certainly no books on becoming one (or is there?).
So what's changed? Why do modern authors stay away from the older forms of witchcraft and its ingredients, with apparently years of proven results? Why, too, are there so few books on hexes, curses and other baleful magic? Where do these modern witches working the old fashioned way get their knowledge? Why aren't these witches publishing their work for consumption by the modern witch?
31 March 2010
Call for Writers: Minority Voices in Paganism
Megalithica Books, an imprint of Immanion Press (Stafford, U.K./Portland, OR, U.S.A) is seeking submissions for an anthology on people of color working in magical communities. This anthology will be an opportunity to get the voices and experiences of minorities within the Pagan community out to the world and address some of the challenges, stereotyping, frustrations and the beauty of being different within the racial construct of typical Pagan or Wiccan groups. These communities include (but are not limited to) groups and individuals working in Wicca, Voodoo, Umbanda, Shaman, and other Pagan paths.
Many of the roots of Paganism have come from the lands of people of color yet the mainstreaming of Wicca has elevated images of worship and deity that connect with Celtic, Greek or Roman cultures. This can have an exclusive effect on those who’s culture or ancestry fall outside of those categories. Interestingly enough people of color within Paganism are often walking between the worlds of their birth ancestry and culture and that of their spiritual culture. This anthology is an opportunity to share your stories and experiences with others around being a minority in our spiritual community.
Here are some suggested topics to give you an idea of the focus of this anthology.
- Your experience of integration into the Pagan community
- Magical work
- Ancestor work
- Integrating your birth culture with your spiritual workings
- Personal experiences and thoughts around how being of color within the Pagan community was significant.
- What magical work are you doing now? How do you describe it? Do you work alone, in a group, or in several settings?
- Your birth culture and spiritual workings
- Stereotypes and prejudice
- Being the only person of color in a coven, group or community
- Sharing your culture and history with other Pagans
- Cultural history
- Sub-culture of African Americans, Hispanics or other minority groups within Wicca or Paganism.
- Is there a sense of acceptance within the magical community you work in? Do you encounter resistance in your magical community or acceptance?
- What do you feel is needed to be more inclusive of racial diversity in Pagan communities
Essay requirements:
- Citations for all quoted, paraphrased, or otherwise unoriginal material
- Bibliography of works cited
- Prefer APA format
Accepted contributors will receive a free copy of the anthology when it is published and additional copies sold at 40% off the cover price to contributors. All contributors will be provided with a contract upon final acceptance of their essays, not when they are accepted for editing. If your essay is not accepted for the anthology, we will tell you after the first round of edits.
The anthology will be edited by Crystal Blanton. She is the author of an upcoming pagan/occult nonfiction book called Bridging the Gap; Working Within the Dynamics of Pagan Groups and Society. She may be found online at http://www.crystalblanton.com and her email address for this anthology is crystal@crystalblanton.com.
Immanion Press is a small independent press based in the United Kingdom. Founded by author Storm Constantine, it expanded into occult nonfiction in 2004 with the publication of Taylor Ellwood’s Pop Culture Magick. Today, Immanion’s nonfiction line, under the Megalithica Books imprint, has a growing reputation for edgy, experimental texts on primarily intermediate and advanced pagan and occult topics. Find out more at Immanion Press.
22 March 2010
The Little Book of Ancient Charms
12 March 2010
Ha Ha Lili - Sa Dingding
The song is called "Ha Ha Lili"; the full title apparently translating to "The Story of Heaven and Earth".
08 March 2010
Barry Cunliffe, Miranda Green & Alistair Moffat chat about the Celts
07 March 2010
How to know?
"There are two pieces of Celtic gnomic or proverbial wisdom recorded by the classical writers, and one attributed specifically to the Druids, that deserve comment here. Diogenes Laertius attributes to 'Gymnosophists and Druids' certain 'riddles and dark sayings', 'teaching that the gods must be worshipped, and no evil done, and manly behaviour maintained'. This is a statement in typically Celtic triadic form, and it is interesting to find what must be another version of it in an Irish tale, The Colloquy of the Elders, which dates from the end of the twelfth century, but may incorporate earlier material. Here St Patrick talks to one of the old pagan Celtic heroes, Caelte, and asks him: 'Who or what was it that maintained you so in your life?'; to which comes the answer, 'Truth that was in our hearts, and strength in our arms, and fulfilment in our tongues' – essentially the same three qualities in slightly different order."