Acquiring Knowledge

Often people choosing a pagan path want the information here and now.

For some, knowledge can be acquired via osmosis. Sometimes, just being in a situation with a particular person or group brings enlightenment without any conscious effort of thought or understanding. This occurs but rarely though. Often is it preceded by years of research, experiment and discussion with fellow followers of a particular tradition.

Information cannot be instantly downloaded into the brain, like Neo in The Matrix, and thus a certain amount of dedication and study has to be undertaken, concurrent with undertaking practical work and gaining experience, whether this be ritual or magical.

For my own part, progess has been rather slow on account of my liking short-cuts and an inherent laziness which I find hard to shift. I have never wanted anything handed to me on a plate though. I have always known that to progress on my chosen spiritual path, I have to put in some work.

Up til now, I have spent time on various fora in discussion with folk on similar, and disimilar paths to my own discussing our experiences and the books/texts we have read. Over the years, I have encountered several website and members of said websites and many have fallen away. What is left is a few sites, most having members from various traditions, including the one I am currently studying. I have benefited from the experience of those on other paths and I have a great respect for certain individuals. So, it is unnerving to find myself in the position whereby I feel I may no longer give my time to those fora, or individuals if I am to learn more about the tradition with which I identify.

Its a hard decision because it will mean losing touch with people who have helped me along the way. Its as though I feel I owe them something, but the truth is I don't. So, why am I agonising over this decision? I have the chance to learn and grow, which will require an inordinate amount of work, and dedication on my part. If I am to do this, then some things and people will get left behind. A sacrifice if you will.

In the space of two months I have learned, understood and gained more experience than in all my previous years of religious instruction. What I have ingested has been far more relevant to my life and my chosen path than ever before and, though it is time consuming, I am happy putting in the effort. In the process, I have spent less time in other pagan pursuits - in preparation of letting them go. This almost makes sense. After all, isn't Spring the time for clearing out the old to make way for the new?

I am just loathe to let good things go, but in the pursuit of knowledge, something must fall by the wayside. Everything has price, including the acquisition of knowledge.

I just wish the ogham was easier to comprehend.

Vernal Equinox

Its the vernal equinox this weekend, but I will not be doing anything special. Aside from the fact I don't have a day off until March 29th, the equinoxes have never appealed to me as something to be honoured. Yes, I do a personal ritual for the solstices, in addition to the four fire festivals, the rituals I undertake at these times being more aligned with ancestral worship than seasonal change or deity lore.

I never did understand why the equinoxes were honoured by some neo-pagans. I don't notice a change in natural energies at this time and, after the howlers last week, it seems to me there has been a bit of dampening to the usual spring madness. I know its not just me feeling this way, because a friend of mine also mentioned the storms swallowing the energy, rather than adding to it.

This year the equinox is the same weekend as easter and the extra time off seems to have given some people the impetus to actually take time out to celebrate. I am not sure if people are going to miss having not having an extra festival (i.e. Easter) after their Ostara celebrations. I will watch and see.

Perhaps someone will be kind enough to leave a comment on this blog as to why the vernal equinox is so important to neo-pagans. I've never really bothered to do any research on it as it just didn't align with my gnosis.

Cliff Dreamers Update

You may remember I did a review of Cliff Dreamers, in which I bemoaned the lack of good editing? If not, you can read it here. Well, it just so happens that Jacqui Wood has found a professional editor who is going over who two books, ready for republishing. In the meantime, the podcasts and the originals, which were available through LuLu, have been withdrawn until such time as the new versions of Cliff Dreamers and Journey Through the Inland Sea are available.

I think this is great news, because I believe that once the editing is complete a publisher will probably acquire the books. With such interest in history in the mass media at the moment - look at recent film releases (10,000 BC) and history programmes on television - there should be a market for these books in the general populace. I hope so, because I believe Jacqui deserves to be better known as an author.

Jacqui has also featured in the news recently as an article was written in The Times -
"Mysterious pits shed light on forgotten witches of the West" - about discoveries at the Saveock Water archaeological dig. If anyone wants to read more, please visit Jacqui's website, Saveock Water Archaeology. Jacqui also says "people with no experience can come to my field school for a dig holiday and get a chance to see the pits first hand. I get a lot of people from Australia, America and Canada already." So, why not go along and see for yourself?

Celtic Myth Podshow

I was searching randomly through google groups tonight, having checked my messages from the Northern Earth group and feeling like a bit of wander. It was on a druid list that I found an advertisement for the Celtic Myth Podshow - "bringing tales of the tales and stories of the ancient celts to your fireside".

In their introductory podshow, the hosts explain they are reading various tales and stories from Ireland, Scotland, Wales, Cornwall and Britanny, and they are quick to make apologies for any mispronunciations of names, characters and places, admitting they are not native speakers of any of the languages. They do ask that anyone who has suggestions about pronunciation may leave messages on their forums, or by sending a .mp3 sound file.

The shows are hosted by Gary and Ruth, and I have to admit I find their voices quite soothing and this lends atmosphere when they are telling the tales. I have yet to read most of the stories they relate for myself; but I am enjoying what has been produced by this couple from Southern England so far.

Each episode is just over 20 minutes long, and the tales are told so that they can be enjoyed fireside, with music and sound effects to add to the atmosphere and notes are published for each episode, allowing the listener to keep track of goings on. The site is marked "child friendly" so they could be listened to by the whole family. Personally, I think they would be ideal to upload onto an iPod to by a camp fire.

I have to say, I was disappointed to find only two full episodes, though I the site is very new and I imagine it takes quite a bit of work to make each episode. I am looking forward to more appearing soon.

Odd and the Frost Giants

Author: Neil Gaiman
ISBN: 9780747595380

I found this book at Tescos being sold for £1. I was intrigued, given I liked the storyline of "Stardust", the movie, and I knew Mr Gaiman had a hand in that. As it turns out, this book had been printed for World Book Day 2008. What a shame, I didn't have my token with me.

I got home and, whilst waiting for a particular television programme to appear, I read it. It only took 45 minutes, but it was a pleasurable 45 minutes. The book is aimed at children, I'm sure, but I still enjoyed it.

The story centres around Odd, a viking boy living with his Scottish mother and Fat Elfred, his rather short-tempered stepfather. Odd is a fitting name for this boy, as most think him strange and his story, as told in the book is wyrd, too.

Do read this to your children as a bedtime story; it will give them insight into how a boy can defeat those bigger and stronger than himself. Its also a nice little introduction to the gods of the Norse myths.

Explore Mythology

Author: Bob Trubshaw
ISBN: 1872833621

For anyone outside of academia who wishes to learn about myths and/or mythology this is an amazing introductory book with which to start. I am so glad I purchased this book and so upset that I didn't read it the moment it arrived. I could have saved myself an awful lot time, energy and misunderstanding.

The book should have been subtitled: "Explore and challenge your understanding of myth". I have never had to many of my personal ideas challenged and changed by one book! Like most people, I normally have an aversion to my beliefs and ideals being challenged; it can be disconcerting. Mr Trubshaw makes the whole experience enjoyable by allowing you to think. He doesn't say "this is how it is" or "this is how you do it", but, rather, have you considered looking at it from over here? In other words, he positively encourages you to step into the shoes of another, be they from the ancient past or living just across the border from you. I revelled in the experience, oft times speed-reading through the chapters as I immersed myself in Mr Trubshaws words, changing my thoughts as I went.

I did have to slow my reading down, though, as I felt I was missing some very important points. Never have I learned so much, so quickly from so little. As Mr Trubshaw explains, once or twice, this book could have been so much larger; the range of topics could have been so much broader. As it is, this is a lovely little taster that will have you begging for more. Luckily, Mr Trubshaw has provided an extensive bibliography so the reader can follow up any of the ideas explored in the book. He also has a wonderful website dedicated to folklore, mythology, cultural studies and related disciplines - foamy custard.

Having read all but the last chapter (will finish it tonight), I now understand why I was having so much difficulty reading various myths from other cultures - I forgot that my mind was shaped by the cultural myths of the westernised society in which I live. Thanks to Mr Trubshaw, I can approach matters of time, sacred places, mindscapes, liminal space and my own cultural bias from hitherto unknown angles. I actually have a way of gaining insight into the meaning behind the myths of Ireland, Wales and Britain, whereas I had previously been struggling to gain even a toe hold.

I would encourage everyone to read this book and explore the foamy custard website. Why? So much of what Bob Trubshaw writes is relevant to day-to-day living. Having an understanding of the nature of politics, religion, the media, and the society in which we live and how these shape our personal myths, regardless of whether we live in a secular society or not, can enrich our understanding of our own values and, I believe, improve our quality of life.

Take the time to read this book. Although it can be used as a reference for all sorts of studies, it is probably be best read cover-to-cover in the first instance. Its not a hard book to read - Mr Trubshaw having simplified complex ideas so the reader may gain a tentative footing before embarking on an intense exploration.

I will certainly be looking at other titles by Bob Trubshaw, including his Explore Folklore. Oh, and if you do find this book refreshingly different and exciting, check out other titles published by Heart of Albion Press.

The Kilmartin Sessions: The Sounds of Ancient Scotland

I bought this CD at the same time I purchased "Compositions of Stone" from The Megalithic Portal. At first, I hated it and, in fact, it has sat indoors not being played at all. I found it rather grating.

However, I grabbed it by accident on my way out the door on my way to work. It was all I had in the car, so I played it and I have to admit it wasn't how I remembered. Now, either the brownies have been moving things in my house again, or I was in a strange mood when I first heard it.

It is a mix of strange musical combinations, but this is because the musicians use original and/or reconstructed instrumentswhich, although odd to modern ears, our ancestors would have been familiar. Instruments such as the 2,000 year old Caprington horn, the carnyx (the Carnyx was a long Celtic drone instrument made of beaten bronze and held vertically so that the sound travels from more than four metres above the ground. It was known through much of Europe from about 200BC to 200AD and was widely depicted, notably on the Gundestrup bowl which shows three carnyxes being played simultaneously. The end of the instrument is in the form of a wild boar's head, and it has a movable tongue and lower jaw!), and bird-bone flutes.

The CD is divided into six sections: Bones and Stones, Skin and Bone, Horn and Bronze, the Bronze Age Orchestra, The Sound of Battle (which is where the carnyx is heard), Hearing Pictish Stones, and the Cry of Prayer. Its certainly not your usual compilation of music! Some of the tracks sounds very similar, but this does not detract from the allure of the CD. Listening to it, I find myself being transported to other places. For reasons of safety, I have had to remove it from my car to be replaced by more conventional music. ;)

The CD is a project of the Kilmartin House Museum, which is an award winning world-class centre for archaeology and landscape interpretation established to protect, investigage and interpret the more than 350 ancient monuments within a six-mile radius of the village of Kilmartin, Argyll: 150 of which are prehistoric. I am not sure if funds from the sale of this CD contribute towards their fund-raising, but I hope so.

If you have a chance, do go and get a copy of this CD - it amazing!

Exploring Mythologies

An on-line friend of mine informed me she was starting up a new forum and asked if I would like an invite. Well, I am a member of quite a few at the moment, but given the help this person had offered over the last few years, I was interested to see what it would be like, especially once a description was given of what was intended.

So, on Monday I received an invite to this brand new forum. I've only been there for 48 hours and already I have learned more than I have at other fora in the last six months! It seems these fora are going to be full of useful ideas and interesting articles and I can already forsee spending much time participating. I just count myself lucky I received an invitation.

I am already considering dropping some of the other fora of which I am a regular participant, because I can see my friend's work will be far more valuable to my own line of thinking. The only problem is that I have already weeded out several useless e-groups and fora in the last 18 months, so I am not sure how I am going to decide on what to drop.

I can see I am going to have to do quite a bit of work over the coming months, but I look forward to it.

Pagan Motif Jewellery

Whilst surfing the net for a link to sheela-na-gigs, I stumbled across another jewellery site with items to put on my wish list, which I will do immediately upon finishing this entry. Its called Celtic Impressions and they do some lovely items including a spiral ring, triple spiral bracelet and pendant. Its a shame that the ring doesn't also come in silver, as I no longer wear gold. Though, I did notice there was a triple spiral ring available in gold. What's wrong with silver?

Anyways, I have spent a good hour browsing their site. I love their 2000 B.C-Newgrange collection and, especially, the Kerbstone and Dolmen pieces. If only I could win the lottery.

I adore the tripal spiral motif, so much so I am thinking of having it tattooed on my left shoulder - the right one is already occupied. Of course, I have to wait for the recommended tattooist to return from a sabbatical. Its very hard to find anything that incorporates this motif in the way of household items or jewellery. Odd, as it simple and quite beautiful.

I do like pieces that are inspired by the pagan art of early Europeans. I have no idea why - probably because it is so rare; the modern world having abandoned these old stylings as "quaint".

A lot of the pieces from Celtic Impressions remind me of the unique style of jewellery to be found in the Outer Hebrides and in the Orkneys. I am looking forward to seeing what the Sheltand Isles have to offer in the way of designs when I visit there later in the year.

As I do wear silver, its often hard to find modern, unique pieces. Its all a bit "ethnic" for want of a better word and looks rather cheap. That's why I love the designers to be found in the celtic countries. I just wish I had the funds to acquire more pieces.

Donations accepted!

Charming

I had to deliver some horse chestnut wood to my friend's shop over the weekend. So, I called in and was snooping around as usual and she mentioned she had some new sterling silver charms.

I'm so glad I looked, as it turns out she had a lovely crystal ball charm, so I purchased it on the spot. If only I had the money to get the loose charms I have soldered on. I mentioned this to my friend and she is thinking about getting the equipment to do it herself, which will be grand, because every time my bracelet to a jeweller's to have the charmed affixed, they either forget to solder them or they bunch all the charms together. The last time I took them in, they attached a charm to the link used to close the bracelet.

As my friend has a new supplier, I am hoping she will get some more unusual charms in, preferably ones with colour or crystals, as mine is looking a bit plain. Well, as far as a charm bracelet with a pagan and witchcraft can look plain.